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Психология и Психотехника
Правильная ссылка на статью:
Энфиаджян А.С.
Sublimation psychology: Essence Coding Theory and Sympho-electronic music as tools for deep psychotherapy in art-humanitarian practice
// Психология и Психотехника.
2014. № 2.
С. 167-172.
DOI: 10.7256/2454-0722.2014.2.10893 URL: https://nbpublish.com/library_read_article.php?id=10893
Sublimation psychology: Essence Coding Theory and Sympho-electronic music as tools for deep psychotherapy in art-humanitarian practice
Энфиаджян Арам Суренович
Преподаватель кафедры Симфо-электронной музыки в Общественной Организации "Арт-Гуманитарный Центр"
117321, Россия, Московская область, г. Москва, ул. Островитянова, 16, корп.4, оф. 122
Enfiajyan Aram Surenovich
Head of the OOO "Art-Humanitarian Center", Educator. the department of sympho-electronic music
117321, Russia, Moskovskaya oblast', g. Moscow, ul. Ostrovityanova, 16, korp.4, of. 122
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aramenfi@mail.ru
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DOI: 10.7256/2454-0722.2014.2.10893
Дата направления статьи в редакцию:
18-12-1969
Дата публикации:
1-0.923076923077-2014
Аннотация:
The article addresses the need for a new direction of psychology known as “sublimation psychology”, prerequisites for the creation of which have emerged in the scientific discoveries of the last decades in the fields of psychoneuroendocrinology, psychoneurology and psychogenetics. In the context of developing sublimation psychology, we have investigated the various properties and characteristics of “Sympho-Electronic Music” (SEM) – a new musical genre, which has a strong essence impact potential. We analyze the advantages of using SEM in the deep-essence psychotherapy of art-humanitarian practice (AHP), based on the implementation of the major principles and fundamental medical and psychological aspects of Essence Coding Theory (ECT). Primarily, the article uses a complex methodological concept, in which the basal toolkit of holistic meta-heuristic ECT doctrine takes a central, key position. We show a fundamental difference of sublimation psychology from all other areas of psychology, expressed by its explicit focus on the scope of various ethical attributions and aesthetic competencies implemented in AHP. In the context of developing various aspects of AHP, we introduce new concepts, such as “essence code”, “essence psycho-neuroendocrine status”, “essence R-E neuroprocessing”, “essence genome-hormonal reception”, “essence transmutation”, “vital information system”, “ethical levels”, “passionary-evolutionary ethics”, “sublimation aesthetics”, “exo-psychological control”, “dormant genomic programs”, “matrix of essence standards”, “detector of essence errors”, “code of spiritual rank”, “aesthetic-sublimation insight”, “immortalization index”, “noematic theurgy” and others.We have identified reasons for which the psychotechnics of art-humanitarian practice should use music created with digital technology, and especially the music of the pioneering genre SEM, closely associated with such new musicological concepts as “timbre-keeping”, “emotive typology of timbre”, “class of organs”,“sympho-electronic organ”, “sonoristic analysis”, “sonoristic matrix”, “sonoristic bench mark”, “sacral acoustics”, “coding-numeric score”, “coding-numeric aesthetics”, etc.
Ключевые слова:
sublimation psychology, art-humanitarian practice, essence coding theory, sympho-electronic music, aesthetic-sublimation insight, noematic theurgy, passionary-evolutionary ethics, spiritual rank code, immortalization index, coding-numeric score
Библиография
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2. Enfi А. Essence coding theory (a monograph). Art-Humanitarian Centre– Moscow, 1991
3. Enfi А. Essence coding theory as an ethical basis for ideological paradigm of the 3rd Millennium // Proceedings: Proceedings of the International Conference "Valeology and Eniology of the 3rd Millennium", Yalta / Simferopol, 2007
4. Vysheslavtsev B. Ethics of transfigured Eros. Problems of the Law and Grace// М.: Respublika, 1994.
5. Bondarenko V., Yevin I. Attractor network model of music tonality and controlling chaos in the brain, N.Y., 2006
6. Enfi А. Sublimation psychology (a monograph). PublishedbyArt-Humanitarian Centre– Moscow, 2013
7. Enfi А. What is “sympho-electronic music”? // Music and time.-2011.-No.4.-P. 67-71
8. Asaf’evB. Symphonism as a problem of modern musicology, L., 1926.
9. Enfi А. Art-humanitarian practice (amonograph). PublishedbyArt-Humanitarian Centre – М., 1999
10. Enfi А. Sympho-electronicmusic: psychological aspects // Psikhologicheskaya gazeta.-20.05.2011.
11. Enfi А. Sympho-electronicmusic: social aspects// Sotsiosfera. 2011-No. 2.-p. 18-24.
12. RotenbergV. Psychoneuroimmunology: a new dimension to an old problem. // Priroda. М. 1991, No.2, p. 29-34.
13. Enfi А. Sympho-electronicmusicis Russia's priority, Pedagogy of art, No. 3, 2012.
14. Enfi А. “Sympho-electronicmusic: Genesis” // Problems of musical science, 2013, No. 1-p. 36-41
15. Yevin I. Music and the brain. Compilation: Languages of science –languages of art. Moscow, RHD, 2004
16. Garyaev P., Enfi А. Ethics, Spirituality... Oncology, HIV (Reshaping the medical problems in the light of Linguistics, Wave Genetics and Essence Coding Theory) // New Medical Technologies / New Medical Equipment.-Medizdat, Moscow, 2010. – No. 11. p. 51-72.
17. AdornoTh.W. Philosoplue der NeuenMusik. Frankfurt a M, 1958.
18. Arbid, M. A: Brains, machines and mathematics. New York: Mc. Graw-Hill, 1964.
19. Attneave, F.: Application of information theory to psychology. New York: Holt, 1959.
20. Brambring, M.: Technical and practical utilization of electronic mobility aids for the blind. I Handicappinstitutet. (Eds.) June, 1974.
21. Brindley, G. S. & Ewin, W.C. The sensation produced by electrical stimulation of the visual cortex. In Sterling, T. D., et al. (Eds.) Visual Prosthesis. New York: Academic Press, 1971.
22. Beck, F. and Eccles, J.C. (1992) Quantum aspects of brain activity and the role of consciousness. Proc. Natl. Acad. Sci. USA 89(23):11357-11361.
23. Cohen, J. E.: Information theory and music. Behavioural Science, 1962, 7(12) 137-163.
24. Eccles, J.C. (1992) Evolution of consciousness. Proc. Natl. Acad. Sci. (89)7320-7324.
25. Grof, S., Spiritual Emergency: When Personal Transformation Becomes a Crisis edited by StanislavGrof and Christina Grof (J.P. Tarcher, Los Angeles, CA, 1989, Putnam Publications).
26. Hameroff, S., Penrose R., Orchestrated Objective Reduction of Quantum Coherence in Brain Microtubules: The "Orch OR" Model for Consciousness.// Mathematics and Computer Simulation 40:453-480, 1996.
27. Jacobson, H.: Information and the human ear. Journal of the Acoustical Society of America, 1951, 23, 463-471.
28. Lundin, R. W.: An objective psychology of music. New York: Press, Ronald, 1953.
29. Moles, A., Information theory and aesthetic perception. Chicago: University of Illinois Press, 1966.
30. Pribram, K. H.: (Ed.). Brain and behaviour. Vols. 1, 2 & 4. Victoria, Australia: Penguin, 1969.
31. Ronald N. Bracewell. The Fourier Transform and its Applications. McGraw-Hill Book Company, 1986.
32. Simon, G. Information-processing analysis of perceptual processes in problem solving // Psychol. Review. 1969.
33. Shannon C, An algebra for theoretical genetics, (Ph.D. Thesis, Massachusetts Institute of Technology, 1940.
34. Shuter, R.: The psychology of musical ability. London: Methuen 1968.
35. Wiener, N.: God and golem, inc.. Cambridge: Massachusetts Institute of Engineering, 1964.
References
1. BelkinA. Hormones and the unconscious// Psikhoanaliticheskiy vestnik. – M., 2001. – No. 9. p. 70-90. Article with commentsby A. Enfi // Online version available at: http://aramenfi.narod.ru/articls.belkin1.html
2. Enfi A. Essence coding theory (a monograph). Art-Humanitarian Centre– Moscow, 1991
3. Enfi A. Essence coding theory as an ethical basis for ideological paradigm of the 3rd Millennium // Proceedings: Proceedings of the International Conference "Valeology and Eniology of the 3rd Millennium", Yalta / Simferopol, 2007
4. Vysheslavtsev B. Ethics of transfigured Eros. Problems of the Law and Grace// M.: Respublika, 1994.
5. Bondarenko V., Yevin I. Attractor network model of music tonality and controlling chaos in the brain, N.Y., 2006
6. Enfi A. Sublimation psychology (a monograph). PublishedbyArt-Humanitarian Centre– Moscow, 2013
7. Enfi A. What is “sympho-electronic music”? // Music and time.-2011.-No.4.-P. 67-71
8. Asaf’evB. Symphonism as a problem of modern musicology, L., 1926.
9. Enfi A. Art-humanitarian practice (amonograph). PublishedbyArt-Humanitarian Centre – M., 1999
10. Enfi A. Sympho-electronicmusic: psychological aspects // Psikhologicheskaya gazeta.-20.05.2011.
11. Enfi A. Sympho-electronicmusic: social aspects// Sotsiosfera. 2011-No. 2.-p. 18-24.
12. RotenbergV. Psychoneuroimmunology: a new dimension to an old problem. // Priroda. M. 1991, No.2, p. 29-34.
13. Enfi A. Sympho-electronicmusicis Russia's priority, Pedagogy of art, No. 3, 2012.
14. Enfi A. “Sympho-electronicmusic: Genesis” // Problems of musical science, 2013, No. 1-p. 36-41
15. Yevin I. Music and the brain. Compilation: Languages of science –languages of art. Moscow, RHD, 2004
16. Garyaev P., Enfi A. Ethics, Spirituality... Oncology, HIV (Reshaping the medical problems in the light of Linguistics, Wave Genetics and Essence Coding Theory) // New Medical Technologies / New Medical Equipment.-Medizdat, Moscow, 2010. – No. 11. p. 51-72.
17. AdornoTh.W. Philosoplue der NeuenMusik. Frankfurt a M, 1958.
18. Arbid, M. A: Brains, machines and mathematics. New York: Mc. Graw-Hill, 1964.
19. Attneave, F.: Application of information theory to psychology. New York: Holt, 1959.
20. Brambring, M.: Technical and practical utilization of electronic mobility aids for the blind. I Handicappinstitutet. (Eds.) June, 1974.
21. Brindley, G. S. & Ewin, W.C. The sensation produced by electrical stimulation of the visual cortex. In Sterling, T. D., et al. (Eds.) Visual Prosthesis. New York: Academic Press, 1971.
22. Beck, F. and Eccles, J.C. (1992) Quantum aspects of brain activity and the role of consciousness. Proc. Natl. Acad. Sci. USA 89(23):11357-11361.
23. Cohen, J. E.: Information theory and music. Behavioural Science, 1962, 7(12) 137-163.
24. Eccles, J.C. (1992) Evolution of consciousness. Proc. Natl. Acad. Sci. (89)7320-7324.
25. Grof, S., Spiritual Emergency: When Personal Transformation Becomes a Crisis edited by StanislavGrof and Christina Grof (J.P. Tarcher, Los Angeles, CA, 1989, Putnam Publications).
26. Hameroff, S., Penrose R., Orchestrated Objective Reduction of Quantum Coherence in Brain Microtubules: The "Orch OR" Model for Consciousness.// Mathematics and Computer Simulation 40:453-480, 1996.
27. Jacobson, H.: Information and the human ear. Journal of the Acoustical Society of America, 1951, 23, 463-471.
28. Lundin, R. W.: An objective psychology of music. New York: Press, Ronald, 1953.
29. Moles, A., Information theory and aesthetic perception. Chicago: University of Illinois Press, 1966.
30. Pribram, K. H.: (Ed.). Brain and behaviour. Vols. 1, 2 & 4. Victoria, Australia: Penguin, 1969.
31. Ronald N. Bracewell. The Fourier Transform and its Applications. McGraw-Hill Book Company, 1986.
32. Simon, G. Information-processing analysis of perceptual processes in problem solving // Psychol. Review. 1969.
33. Shannon C, An algebra for theoretical genetics, (Ph.D. Thesis, Massachusetts Institute of Technology, 1940.
34. Shuter, R.: The psychology of musical ability. London: Methuen 1968.
35. Wiener, N.: God and golem, inc.. Cambridge: Massachusetts Institute of Engineering, 1964.
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